Sam Lucas (1840-1915)

January 03, 2009 
/ Contributed By: Adrienne Wartts

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Sam Lucas

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Sam Lucas, one of the most respected and celebrated entertainers of his time, is credited with breaking barriers for black actors and becoming the first African American actor to star in a “white” feature film. Lucas is best remembered for his comic and dramatic roles performed on the minstrel circuit and Broadway stages, and by the end of his career, a major motion picture.

Lucas was born Samuel Mildmay in Washington, Ohio in 1840. He began singing and playing the guitar as a teenager and went on to establish a reputation as a performer while working as a barber. After the Civil War when African American performers (in blackface) were allowed to work in minstrel shows, Lucas joined traveling black companies and sang on the Ohio River steamboats. Lucas built a reputation as the best all-around entertainer in the business and was empowered to select his own shows which allowed him to star with the most successful black minstrel companies as a comedian and singer.

Dissatisfied with limited minstrel roles, Lucas attempted to establish himself as a serious actor by appearing in dramatic plays during the mid 1870s. By 1878, he became the first black man to appear as the title character in the serious stage production of Harriet Beecher Stowe’s Uncle Tom’s Cabin. At the age of 73, the veteran actor capped his career when he recreated the role of Uncle Tom in the 1914 film version released by World Film Corporation as well as two comedy shorts made as Tom. Lucas is believed to be the first African American actor to appear as Uncle Tom during the era. Shortly after completing the film, Lucas died after suffering a long bout of liver disease.

About the Author

Author Profile

Adrienne N. Wartts received her M.A. in American Culture Studies, with an emphasis in African American Studies, from Washington University in St. Louis. She is an adjunct professor of film studies at Webster University. As a contributing writer for Jerry Jazz Musician magazine, she has interviewed Rick Coleman, author of Blue Monday: Fats Domino and the Lost Dawn of Rock ‘N’ Roll and Elizabeth Pepin, author of Harlem of the West: The San Francisco Fillmore Jazz Era. Adrienne is the recipient of the 2009 Norman Mailer Writers Colony Scholarship for biography writing.

CITE THIS ENTRY IN APA FORMAT:

Wartts, A. (2009, January 03). Sam Lucas (1840-1915). BlackPast.org. https://www.blackpast.org/african-american-history/lucas-sam-1840-1915/

Source of the Author's Information:

Mel Watkins, On the Real Side, (New York: Simon & Schuster); David
Pilgrim, “The Tom Caricature,” http://www.ferris.edu/jimcrow/tom/,
December 2000, Ferris State University, Rapids, Michigan: Jessie Carney
Smith, Notable Black Men. (Detroit: Gale Research Inc. 1999); Phyllis
R. Klotman, African Americans in Cinema: The First Half Century,
(Urbana: University of Illinois Press, 2003).

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